Puccini's

Madame Butterfly

PASSION, HEARTBREAK, AND TRAGEDY

MUSIC

Giacomo Puccini

LIBRETTO

Luigi Illica & Giuseppe Giacosa

Conductor

Timothy Myers

Director

E. Loren Meeker

Scenic Design

John Gunter

Costume Design

Alice Bristow

Lighting Design

Marcella Barbeau

Movement & Cultural Consultants

Momo & Kevin Suzuki

 

An enchanting geisha, Cio-Cio-San, is seduced by the dashing U.S. Navy Lieutenant B.F. Pinkerton. After a hasty wedding, Pinkerton abandons her to return to America. Cio-Cio-San never loses faith in her true love, but when Pinkerton returns three years later with his American wife to take Cio-Cio-San’s son back to the U.S., her faith is replaced by devastating despair with tragic results.

Hear some of the most gorgeous operatic music with a beautiful fully staged production.

Sung in Italian with projected English titles.

Heroic Cio-Cio-San is sung by soprano Raquel González (last seen at Austin Opera as Micaëla in Carmen in 2024), while tenor Joseph Dennis (last seen at Austin Opera as Nikolaus Sprink in Silent Night in 2019) takes on the role of Pinkerton. The US Consul Sharpless is sung by lauded dramatic baritone Malcolm Mackenzie, and Butterfly’s only friend and confidante, Suzuki, is sung by mezzo-soprano Kristen Choi, both making their company debuts in celebrated roles for these artists. Seen in 2023 as Beppe in Pagliacci, tenor Nicholas Nestorak returns as the scheming marriage broker Goro, and returning for his third straight Austin Opera season, after performances in both Fidelio and The Pearl Fishers, is bass Hidenori Inoue.

Conducted by Sarah and Ernest Butler Music Director Timothy Myers and directed by E. Loren Meeker, Opera San Antonio’s General Director, this stunning and traditional production of Madame Butterfly is a groundbreaking partnership between Austin Opera and Opera San Antonio. Opening in San Antonio on April 17, 2024, the collaborative production harnessing the artistic resources of both companies then moves to Austin for three performances beginning on April 25.

 

Madame Butterfly

Synopsis

Run Time: Approximately 2 hours and 40 minutes.

Yunah Lee in Madame Butterfly, Austin Opera 2017
Dominick Chenes & Yunah Lee in Madame Butterfly, Austin Opera 2017
Madame Butterfly, Austin Opera 2017

Japan, early 20th century. Lieutenant B.F. Pinkerton of the U.S. Navy inspects a house overlooking Nagasaki Harbor that he is leasing from Goro, a marriage broker, who has also arranged his union with Cio-Cio-San, known as Madame Butterfly. The American consul, Sharpless, arrives for the wedding ceremony and Pinkerton describes to him his philosophy of the fearless Yankee roaming the world in search of experience and pleasure. Sharpless warns him that the girl may view the marriage more seriously. After the formal introduction, Cio-Cio-San explains that her family was once prominent but lost its position, and she has had to earn her living as a geisha. The Imperial Commissioner reads the marriage agreement, and the relatives congratulate the couple. Butterfly’s uncle, the Bonze (a priest) interrupts the festivities. He curses the girl for rejecting her ancestral religion, and the shocked relatives denounce Cio-Cio-San as they swiftly leave the house. Pinkerton tries to console his “Butterfly” as they are left alone on their wedding night.

Three years have passed, and Cio-Cio-San awaits her husband’s return. Suzuki prays for help but is berated for believing in Japanese gods rather than in Pinkerton’s promise to return “when the robins nest again.” Sharpless appears with a letter from Pinkerton, but before he can read it, Goro arrives with the latest potential husband, Prince Yamadori. Butterfly politely insists she is not available for marriage—her American husband has not deserted her. Sharpless attempts to read Pinkerton’s letter but is repeatedly interrupted. Giving up, he asks her what she would do if Pinkerton never returned. Cio-Cio-San replies she would either become a geisha again, or better, die. After Cio-Cio-San introduces her son, Trouble, Sharpless leaves, promising to tell Pinkerton of the child. A cannon shot is heard in the harbor announcing the arrival of Pinkerton’s ship, the “Abraham Lincoln.” Overjoyed, Cio- Cio-San joins Suzuki in strewing the house with flowers. As night falls, they keep vigil, waiting through the night for Pinkerton.

At dawn, Suzuki insists that Cio-Cio-San get some sleep. Sharpless appears with Pinkerton and Kate, Pinkerton’s new wife. Suzuki realizes who the American woman is and agrees to help break the news. Pinkerton is overcome with guilt and runs from the scene. Cio-Cio-San rushes in hoping to find Pinkerton, but sees Kate instead. After a moment, she grasps the situation. She agrees to give up the child but insists Pinkerton return for him. Once she dismisses everyone, she takes out the dagger with which her father committed suicide, reading the inscription, “It is better to die with honor than live without it.”

Cast

Raquel González

Raquel González

Cio-Cio-San

Yulia Lysenko

Yulia Lysenko

Cio-Cio-San (Saturday, April 26)

Joseph Dennis

Joseph Dennis

B.F. Pinkerton

Malcolm MacKenzie

Malcolm MacKenzie

Sharpless

Kristen Choi

Kristen Choi

Suzuki

Nicholas Nestorak

Nicholas Nestorak

Goro

Hidenori Inoue

Hidenori Inoue

Bonzo

Creative Team

Timothy Myers

Timothy Myers

Sarah & Ernest Butler Music Director

Learn More About Timothy Myers
E. Loren Meeker

E. Loren Meeker

Director

Events Around Madame Butterfly

The Sarah & Ernest Butler Masterclass Series

Monday, March 24 | 6:30 p.m.

Attend our Sarah & Ernest Butler Masterclass Series for college-aged and chorus singers, in collaboration with UT’s Butler School of Music. All classes are taught by Austin Opera principal artists, and singers are students from The Butler School of Music or Austin Opera choristers. This is a wonderful opportunity for students who are interested in studying music in college to get a taste of the process.

Tetzlaff & Tiblier Conductor Cues

Wednesday, April 2 | 7:00 p.m.

Conductor Cues is an engaging, exploratory program curated and hosted by Sarah and Ernest Butler Music Director Timothy Myers, featuring special guest stars, live performances, and insights inspired by one of Austin Opera’s upcoming productions.

Noche De Ópera

Friday, april 11 | 7:00 p.m.

Noche de Ópera is where Austin’s international community comes together to share their love of Opera! Enjoy intimate performances, mingle with fellow arts lovers, and enjoy wine and hors d’oeuvres in an elegant space all while celebrating Austin Opera’s upcoming production.

Events Before you Attend Madame Butterfly

Trivia & Toasts

Friday, April 25, 2025 | 6:30 PM

Come and test your opera knowledge with our pre-show Trivia & Toasts Friday, April 25, at 6:30 P.M. in the Kodosky Lounge. Hosted by our quizmaster and Director of Education & Community Impact, Andréa Ochoa. You can compete to win a prize basket from ROXOR Gin and some serious bragging rights! Attendance is free for all ticket holders and includes a complimentary cocktail sponsored by ROXOR Gin (while supplies last), a cash bar, and a happy-hour vibe.

Opera Overtures

Saturday, April 26, 2025 | 6:30 PM

Join us in the theater at 6:30 P.M. before the opera on Saturday, April 26, 2025 for a special talk by 2024-2025 Scholar-In-Residence Dr. Charles Carson. Opera Overtures is free to all ticket holders andwill be a fascinating pre-show addition to the evening for both opera aficionados and first-time operagoers alike. This lecture will be held at the Dell Hall Orchestra level.

Coffee & Conversations

Sunday, April 27, 2025 | 1:00 PM

Come along before the Sunday April 27, 2025 matinee for some Coffee & Conversations with General Director & CEO, Annie Burridge, and a special guest. There’ll be complimentary pastries along with coffee at this free pre-show presentation in Dell Hall, Orchestra level at 1:00 P.M.

Production Partners

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